Most anniversaries wear with time. Few, however have faded as quickly as the Apollo 11 moon landing half a century ago on July 20, 1969. More than half a billion people watched it on television [ Read Article ]
Is the fate of the planet—that is, of our fate on it—tied to the fate of democracy? I think there are grounds for suggesting it. You could make a negative case for the proposition. Democracy, [ Read Article ]
What do Bill Cosby, Charlie Rose, Matt Lauer, Leslie Moonves, Kevin Spacey, Woody Allen, Dustin Hoffman, James Levine, Charles Dutoit, Peter Martins, John Conyers, and Al Franken have in common? They are all prominent males [ Read Article ]
Musicians from Marlboro paid their third visit to the Philadelphia Chamber Music Society at the Society’s penultimate concert of its 2018-19 season at the Perelman Theater. The Chamber Music Society itself was born, thirty-three years [ Read Article ]
The Philadelphia Chamber Music Society, winding down its current season, has saved some of its best for last. The Ébène Quartet, beginning a year-long worldwide tour, plans to record all of Beethoven’s quartets in live [ Read Article ]
The Curtis Symphony Orchestra concluded its 2018-19 season by doing something it had never done before, namely, Anton Bruckner. There isn’t any easy Bruckner, but the Curtis essayed his last and arguably most difficult work: [ Read Article ]
I have been writing occasional opinion pieces about Donald Trump since his presidential run began three years ago. Like most commentators, I assumed it to be a vanity candidacy, and saw it as part of [ Read Article ]
Nancy Clearwater Herman is perhaps best known for her large, richly complex quilts and hangings. The present exhibit at the Cosmopolitan Club shows another aspect of her art. The mostly small oil paintings on display [ Read Article ]
The Philadelphia Orchestra’s just-concluded tour of Germany, Austria, and Israel has been the most controversial in its history. No, visiting Germany, where a resurgent right wing openly invokes the symbols of Nazism, wasn’t the problem. [ Read Article ]
Finding romance as one gets older doesn’t come easily. Such is the plight of Isabelle, the heroine of Claire Denis’ Un Beau soleil intérieur, wretchedly mistranslated as Let the Sunshine In in its American release. [ Read Article ]
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